Shaughnessy,
Vancouver,
Canada
Dear Father:
Your Loving Daughter,
Ronnie
Bench Grass is a blog about the history of technology by the former student of a student of Lynn White. The main focus is a month-by-month retrospective series, covering the technology news, broadly construed, of seventy years ago, framed by fictional narrators. The author is Erik Lund, an "independent scholar" in Vancouver, British Columbia. Last post will be 24 July 2039.
So I thought that scenes of anachronistic hot-air balloons were a B-movie/animation trope. And they probably are, but thanks to the publicists for The Aeronauts, actually finding one turned into a fifteen minute hunt. On the one hand, thanks to Andrei Tarkovsky for putting a balloon into the prologue to Andrei Rublev and Youtube user Eagle Burger for putting it up. On the other, thanks a bunch to the producers of The Aeronauts for spending all that money on spamming the Internet instead of making a good movie.
The question that I meant to foreground with that interpretation is, "Is there a history of technology answer to the question, Why did the Montgolfiers come when they did?" It's sort of a science fiction question that took me back to the afore-mentioned hunt around the Internet that failed to turn up any cavemen in balloons, an answer, which appears to be taffeta --and not an economically endogenous "free lunch" of pure innovation arising from the-superiority-of-the-White-race-Shit-I-can't-say-that-"culture," as the neolibs would have it. (In an unarticulated way.) Fuckers just won't go away.
. . . Which brings us to "Victorian Britain, workshop to the world."
Shoutout to Allison Margaret Bigelow. I thought about using the frontispiece to her new book from the University of North Carolina Press* as the thumbnail image, but Paler Rider is a well-shot movie. Although at this late date I can't extract the shot of Megan riding down to the pelton wheel from the production's worst features.
To be clear, we're here for the pelton wheel at the gold mining camp, although there's something to be said for Sydney Penny. I wonder if she could have had a career if the director had cared to do his duty by his teenaged co-star instead of burnishing his own legend?
This is going to be a short post about mining, language and the peopling of the colonial Caribbean, because I am so tired from a goofy work week that I had to look up how to spell "cinematography."